The final room takes on the characteristics of a votive space, linked to the personal Ex Voto, in which the artist transforms the creative act into a symbolic offering to his inner god, Prono.
On the left side, the three lightboxes
"Ex Voto" Visio 1, 2, 3 (fig. 13), followed by six graffiti on wood from the Brain Drain Tales series (fig. 14), fix gestures and traces on the material, like secular ex-votos. In the center, suspended by red threads, the gold-colored sculpture Yes Man (fig. 12) ironically comments on submission, contrasted with the X-ray, with music by Luca Vasco, which introduces Brain Drain (figs. 15 and 16): a metallized brain, a relic of collective memory.
The exhibition ends with the work Prono Support (fig. 17) by
, a bronze sculpture symbolizing solidarity and shared resistance.