Alexander Ozerski (ALEXANDERART) by ARTISTINCT-MAG

Alexander Ozerski: An artistic ode through twenty brushstrokes.

“Do not seek my heart anymore: the beasts have devoured it” (C. Baudelaire)
Immerse yourself in Alexandr Ozerski's humanity in motion, a freedom free of conformism and hypocrisy, a direct, authentic expression, never softened. His works convey impetuous brushstrokes, a dialogue between uncompromising forms. The intimacy of the body and soul emerge, dark, voracious, weary.

Ozerski presents himself as a confident artist, constantly studying and experimenting. However, behind the façade emerges the man, with deep roots in the Urals and Northern Italy. Born in Sverdlovsk in 1982, he moved to Italy at the age of ten, bringing with him a character forged in a radically different social and political context.

Russian influence blends with the Italian love of classicism understood as innovative perfection. Ozerski's canvases show us strong female faces, captured in their most intimate and secret truths, in those "uncomfortable" and difficult moments. The son of a musician and grandson of a high-level gymnast, his memory is steeped in images linked to the world of physical expression, a matriarchal imprint that lends hardness to the physical features of his women.

The body and anatomy are the subject of constant and intense study. Initially interested in becoming a cartoonist, Ozerski mistakenly enrolled in the pictorial decoration course at the Toschi Art Institute in Parma. This fortuitous error introduced him to the man, the artist, and the teacher who would change the course of his life and his art: Mauro Marchini. Alexandr's work is permeated by his classical training, enriched by teachings that go beyond mere technique.

Observing his work, movement emerges in the hard, strong, textured brushstrokes. There are no definitions, backgrounds, or sentimentality. Alexandr's expressive form immediately strikes viewers. He has participated in group exhibitions with his teacher since his school days and later on his own, as a natural step in his artistic and personal growth.

The meeting with art critic Gianfranco Fiaccadori is significant: a welcome break with the old without dealing with new themes. Ozerski approaches criticism with determination, eager to win it over, whether professional or passionate.

Marchini's ability to be a teacher found fertile ground in Alexandr, a prolific apprentice not only in painting but also in teaching. Through art courses in Parma, he aims to train, disseminate, and promote art, knowledge, and technique, encouraging new talent among young and old citizens alike.

In addition to his educational background, Ozerski maintains a strong connection with Parma, actively participating in cultural initiatives related to the city's history. He is a man and an artist who has broken down cultural barriers, promoting awareness of the diversity that makes the world's cultures unique.

Twenty years of professional experience are summarized in his collections, which explore the world from different geographical, historical, literary, religious, and mythological perspectives. Here are some of the main steps along this journey:

THE BODY AND THE MIND:
The body and the mind reveal themselves as fundamental elements, interconnected and in constant interaction. The figures painted on the canvas embody emotions, ideas, and passions, blurring the boundaries between physical expression and inner manifestation. Defined lines emerge with precision from the background, while spots and colors blend together, creating an enveloping visual experience. The body, the protagonist of Alexandr's works, becomes a way to explore the inner world, dissolving contours in the dissolution of color and leading the viewer to a profound fusion between flesh and spirit.

LOVE AND TORMENT:
Alexandr's canvases explore the ambivalence of love and torment, depicting self-portraits that reveal the duality of man and artist. The collection reflects on the contrast between reason and instinct, exposing pragmatic traits alongside disturbed visions. The disorienting images convey a sense of unease and despair, highlighting the search for comfort and support in a world that often appears chaotic and devoid of certain answers.

NIGHTMARES:
Alexandr's dreamlike self-portraits delve into the most tormented recesses of his psyche, exploring doubts, imprisonment, and the restless search for comfort. The images move between sadness, uncertainty, and a deep connection with the irrational. Color dissolves, creating dreamlike atmospheres in which the fleeting nature of dreams mixes with unanswered primordial questions.

FALSE:
"FALSE" tackles contemporary issues of sex, sin, and shame. Alexandr reveals the internal struggle of showing one's true nature, exploring the theme of social masking. The works reflect the judgment and condemnation associated with diversity, offering a critical and provocative view of society.

SHEETS:
The "SHEETS" collection envelops the protagonists in white drapes, transforming the canvas into a world of soft fabrics and vibrant colors. Alexandr portrays women who smile and wink, in an unprecedented exploration of femininity through suggestive poses and sensual details.

HANAN PACHA:
Inspired by Inca civilization, Alexandr explores the concept of "Hanan Pacha," the celestial world of the gods. The collection reflects on rituals, masks, and the duality between the divine and the human, creating works that converge the "world above" and the "world below."

GEISHA:
“GEISHA” marks a turning point, portraying elegant female figures in black and white. Alexandr explores Japanese geisha culture, capturing its seductive power through details such as kimonos, gold combs, and intense gazes.

MAISON CLOSE:
The collection transports viewers to Belle Epoque Paris through evocative images of brothels. Alexandr portrays dark and decadent atmospheres, revealing shadowy backdrops and the deceitful smiles of absent women.

LOVERS:
“Lovers” explores love in all its nuances, from impulse to detachment. Alexandr paints a kaleidoscope of emotions and contexts, offering a broad and complex view of human relationships.

TRACCE:
The presence of water and the sea characterizes the "TRACCE" collection, creating a fluid and dreamlike environment. Alexandr explores the freedom and elusiveness of reality through paintings that capture movement and transformation.

LE FLEUR DU MAL:
Inspired by Baudelaire's poems, "LE FLEUR DU MAL" reflects on the exploration of beauty through inner torment. Alexandr transforms discomfort and passion into powerful works, paying homage to the dark side of creativity.

DANSANT SUR LA TOILE:
With "DANSANT SUR LA TOILE," Alexandr blends poetry, dance, and painting. He portrays the behind-the-scenes life of dancers, revealing the humanity behind the performance and conveying emotions through body language.

"FALSE PAINTINGS" explores myths, memories, and fairy tales through dark and magical atmospheres. Alexandr creates paintings that serve as snapshots of dreams and fantasies, transporting viewers to alternative and evocative worlds.

ZOLOTO:
The final collection, "ZOLOTO," is wrapped in gold and sapphire, symbols of divinity and devotion. Alexandr exalts the female figure through ritualistic portraits, combining the divine with the sacred and conveying the light of gold as a metaphor for immortality.

Here are some of his creations: